OMG, DC: Alan Grant’s The Demon

When I was 10 years old, my mom got me a subscription to a new series DC was publishing: The Demon. Part of the deal was that the first three issues came packaged and delivered together along with the child-appropriate, folded-up poster pictured above. Before it was a poster, however, it was a full-page ad in the back of a Batman comic, and my 10-year-old brain assumed that Jason Blood was the (then) recently-deceased Jason Todd in the afterlife, probably with amnesia.

Turns out Blood and the Demon Etrigan were Jack Kirby creations dating back to the seventies. Though I was mildly disappointed to find out the murderous Todd hadn’t been sent to hell after his demise in 1989’s A Death in the Family, Alan Grant’s scripting and Val Semeiks’s gorgeous artwork created a pretty captivating world to escape into, even if it was an escape into eternal damnation. Check out these highlights from The Demon #2:

A hint of Dick Tracy and the promise of Batman! Questionable violence and sexual material in a non-mature-rated comic! Etrigan expressing joy at finding his mother even as she’s about to make him her dinner! Every issue was like this, pure story from cover to cover. Alan Grant was on fire those days, having spent the previous two years crafting some of Batman’s most memorable one-shots in Detective Comics (he continued to work on Bat-related titles for almost a decade afterward).

Etrigan had his own 16-issue monthly series in 1972 and a four-issue miniseries in 1987 prior to The Demon‘s 1990 debut.

He also did guest spots in Alan Moore’s Swamp Thing run, Blue Devil, Crisis on Infinite Earths, The Brave and the Bold, Millennium, and a slew of other big-name DC titles:

The Demon ran for five years, from 1990 to 1995, after which Etrigan made fleeting appearances in various DC titles until 2005’s starring role in the short-lived Blood of the Demon. He’s currently appearing in the popular New 52 title Demon Knights.

I’d argue pretty adamantly that Grant’s version of the character is the definitive version of the character. He had the rhyming speech patterns, the book had an overall sardonic tone, and the supporting cast was a colorful mix of men-turned-pillows (Harry Matthews), grinning psychopaths (Tenzin Wyatt), murderous children and their equally murderous kittens (Klarion and Teekl), and furry pink creatures with hearts of gold (Thing-That-Cannot-Die):

The version of Etrigan currently appearing in Demon Knights still has the yellow skin, the horns, and the cape, but he now has a modern, non-rhyming speech pattern, is in a romantic relationship with Madame Xanadu, and seems, in general, a lot less demon-y than he should be. Don’t get me wrong – Demon Knights is still a pretty rad book, but the new Etrigan is a little…different.

The entire five-year, 59-issue run of The Demon wasn’t flawless. After issue #21, it seemed like Alan Grant’s interest was beginning to wane: guest writers began taking over, among them Matt Wagner, Keith Giffen, Dwayne McDuffie, Kevin Altieri, and Garth Ennis (who would introduce his popular Hitman character in The Demon‘s second annual). Grant continued to write, but the momentum was sort of lost, and after issue #39, he didn’t return.

If I had to choose a standout issue of The Demon, it’d be the War of the Gods crossover in issue #17. War of the Gods was a ridiculous Wonder Woman-centered four-issue miniseries by George Perez, and at some point in the story, the sorceress Circe kills Wonder Woman by reverting her back into clay (FYI: Wonder Woman started out as clay). The Demon #17 shows this event from a different angle, with Klarion playing an integral role in the proceedings:

She’s then transported to hell, where she has a strange encounter with the Demon and Jason Blood (who’ve switched bodies) and a few sweet moments with Thing-That-Cannot-Die, her rescuer and guide out of hell.

The first couple years of The Demon were the best, with issues #1 through #21 serving as a stellar collection of Grant’s witty scripts and Semeiks’s dynamic visuals. And what visuals they were:

Count The Demon as yet another underappreciated title that you could probably find for  pretty cheap online or at your local comic store.

This entry was posted in Uncategorized and tagged , , . Bookmark the permalink.

8 Responses to OMG, DC: Alan Grant’s The Demon

  1. Gerardo says:

    My favourite version of The Demon is from Garth Ennis, also from there was born Hitman (also Garth’s). You should do a post about Grant’s Shadow of the Bat, It was an awsome comic with a lot of cool characters that were destined to screw continuity (cause not one coul outlive their creator, at least the ones I remember).

    About the blog, are the OMG and WTF suposed to say if you are ok or angry at the subject?

    Anyway your blog is a cool homenage to DCU, in these times that people forgot events like Zero Hour and Crisis on infinite Earths. DCU has always been a mess, not just in the 00′, personally I thought Infinite Crisis and Blackest Night to be pretty rad and remind me about the days were DC was made to do these outrageous crossovers. Your blog teach that you have to take the good with the bad while you can

  2. Gerardo says:

    Oh and my personal philosophy is continuity stupidity or continuity errors are the FASTEST wat to fix bad desitions, Stephanie Brown wasnt death, Cassandra Cain was mind controlled, etc. It can be good or bad but is an indispensable tool for the DCU, retcons are tricky, the thing is dont waste time to do a hearth breaking story about Cassandra going good again if she never should have. The otherthing is sometimes the author need a character dead or something, thats a cheap excuse and there are like two writters that can use It (like wolfman) and have even admited a mistake in some cases (jericho).

    And of course if the author is good like he can mock continuity, is like some people are so good that rules are to small for them but others are so horrible that cant follow them.

    I found this way of thinking a form to reconcile the different fans that go pro ot anti continuity, extremes are usually wrong

  3. Indeed, OMG means I like it and WTF means I have some problems with it. Minor continuity issues aren’t really that big a deal, it’s the ones that completely alter the character on some fundamental level that bother me. When I think of continuity, I usually think of TV’s Buffy the Vampire Slayer; Season 7 was making offhand references to things that had happened in Season 1. Casual viewers wouldn’t notice but people who’d been watching since the first episode could smile at the in-jokes. DC tends to do the opposite, which is change things up to appeal to new fans while completely disregarding what long-time fans have come to know and love about particular characters.

  4. rycliffe says:

    “Frank Miller’s ‘Swamp Thing’ run” is a phrase that conjures images of unadulterated terror. Could you possibly correct this statement?

    Otherwise, an enjoyable article on Etrigan, who would probably approve of being written by Miller. You know, being a demon from Hell and all.

  5. tom says:

    How do you not include the classic batles/team ups with Lobo?

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s